đŹ Pre-Sorted Nonsense of the Week
Last you heard from me was 9.5 on August 1. Since then: lots of family time in New York, I may or may not have officiated my cousinâs wedding, and I had a brief emotional residency inside a giant LED ball.
Itâs almost Halloween, which feels like the right time to raise this newsletter from the dead. Resurrect, because, you know, Halloween.
AnywayâŚ
On August 2nd, I sat in section 300 of Sphere in Las Vegas for the Backstreet Boys. Being farther back was the cheat code: you donât just see a stage; you see the universe wrap around you.
A spaceship dropped from the ceiling. The dome became a starfield. The crowd was weirdly wholesome. I harmonized poorly with thousands⌠and cried for some reason. It was one of the best concerts Iâve ever been to.
Hereâs the marketing part: Sphere is what happens when you scale emotion. You donât need 1.2 million LEDs to do that. You need a sharp promise, tactile presence, and timing. Thatâs also what great direct mail does when you actually commit to it.
If you want to see the mania yourself, the Boys extended their run with additional late-year shows and new February 2026 nights at Sphere. Also on deck for extra 90s chaos: No Doubt in May 2026.
Consider this your permission slip to sit higher and watch the visuals take over your whole field of view.
And then, a perfect 90s plot twist: the same season Sphere made me feel 26 again, AOL ended dial-up (effective September 30, 2025).
The modem screech is officially gone.
If you grew up on that sound, you know the ritual. The 45-second climb, the beeps, hiss, and handshake all felt like the first hill of a roller coaster. Anticipation. Hope. The promise that a grainy JPG of your favorite band, or something you definitely couldnât open with your parents home, would load one line at a time.
Backstreet Boys and AOL rose together. AOLâs offline. The mailbox isnât. Neither are the Boys.
đJohnson Box
Dial-up is dead. The mailbox outlived it.
AOL officially discontinued dial-up service on September 30, 2025. Print didnât blink.
đď¸ The Junk Drawer
Itâs October. Not pumpkin spice season (gross). Itâs velour season.
Velour is the fabric of reckless comfort. The thing you forgot you loved until you touched it again. Thatâs also direct mail. You donât think about it until itâs in your hands. Then you remember why it works.
Picture this: a velour tracksuit, Tom Selleck mustache, cold martini, and a neat stack of mail on the coffee table. Your thumb runs the paperâs edge and you feel instantly, irrationally open to persuasion.

Itâs tactile. And, like this image, itâs slightly ridiculous. Itâs perfect.
Direct mail is the winter fabric of marketing. It warms the room on contact. It doesnât care how your pixels performed this week.
đ ď¸ Some Strategic BS
The 90s never really left. It just got a better paper stock.
USPS at 250 means the rails still work.
This past summer, the USPS hit its 250th year. Whatever your feed says, the countryâs attention engine still runs on trucks, carriers, and routes that hit every door, every day.
Whoâs mailing right now (and why it matters):

J.Crew
Their fall push leans into a classic catalog-to-commerce handoff. Itâs âshop the looksâ with an old-school spine and a modern checkout. The book primes, digital closes.
Why it matters: Fewer, better pages aimed at people who actually care beats spray-and-pray digital any day.

Amazonâs âToys We Loveâ
Itâs the modern toy catalog: a ranked, curated gift guide that creates desire first, then funnels to the site with easy paths, AI helpers, and visual search.
Why it matters: The book (or book-like guide) still creates the âcircle it with a markerâ effect. Desire is a pre-click event.

Neiman Marcus - A Neimanâs Fantasy
The spectacle catalog lives. Whether you get the print or browse it online, itâs a masterclass in page-to-URL choreography and the confidence to make every spread feel like an event.
Why it matters: Donât copy the price points. Copy the ambition and the pacing.
How to make your holiday book work like itâs 1998 and the printer is on fire:
Send fewer, better. A tighter book aimed at the right people beats a bloated book aimed at everyone.
One big idea per spread. Edit until each spread has a single point. White space sells.
Give every page a destination. A dedicated URL or QR that promises something specific. The code is not the offer. The offer is the offer.
Make it feel good. Paper weight, finish, binding, ink: your substrate persuades before your headline does. Think velour energy, not laminated menu.
Prime, then perform. The catalogâs job is to create demand. Your siteâs job is to capture it without making people start over.
đŁ The Required CTA
Okay, your turn. If you made it this far, weâre clearly in a relationship.
If youâre not subscribed, fix that at presortedbs.com.
If you are, forward this to one person who still thinks âmail = junkâ and ask them to tell you the last thing they actually kept.
Then tell me your all-time favorite concert and where you sat. Balcony and nosebleeds absolutely count.
Reply to this email with your story or a photo of the last piece of mail living on your fridge. Iâll share a few favorites next issue. Maybe.
âď¸ P.S. Because There Should Always Be One
Fall is busy. If youâre still here, thank you.
Iâll keep sending real things that try to make you feel something. The way a good chorus does, the way a well-timed envelope does, the way the 90s still do when it all clicks.
Sometimes the old thing outlives the new thing.
Sometimes thatâs the point.

